Posts

CEEMID is conducing its 8th survey programme this among musicians, music professionals, and music managers. This is the largest empirical research program in the world about how people work and earn their living in the music industry. Why? We are teaming up with some music organizations and research universities to form a Music Observatory, which will support all participant countries musicians with free data for royalty calculation, advocacy at government, tour scheduling and tour planning.

If your analytical work has used a certain type of data at least two times in the past, it is likely that the data will be needed again. This is a good time to make the data ingestion automatic and reproducible.

The very techincal terms of ex ante , ex post or retrospective harmonization hide opportunities that can significantly increase the value for money in empirical market research, potentially increasing the value of a high-cost, high-value survey to multiple times of its euro value.

In the preparation to make the CEEMID available as an open-source data integration platform and as a source of open data for the European Music Observatory, the first regional dataset was published today.

Based on the locational data of various smartphones and application data, we know that people spend 10-15% more time at home since January, and 40-50% less in their workplaces. Similar data is available for other locations.

I participated on the Yes!Delft Co-Lab in Delft.

The Central & Eastern European Music Industry Report 2020 was presented as a case-study on national and comparative evidence-based policymaking in the cultural and creative sector.